English

The Power of Self Expression



At Stevenson we delight in the magical possibilities of language and respect the power of self expression. We encourage each student to write with passion and freedom that leads to personal growth as a writer. It is a special advantage our students enjoy to participate in the coffeehouse intimacy of classes numbering fourteen or fifteen orchestrated by teachers gifted at establishing an atmosphere of trust, compassion, candor, and risk taking.

Author Angie Chau Visits Stevenson


Angie Chau, author of Quiet As They Come, spoke to Stevenson students in an intimate setting and shared her insights on writing, which resonated deeply with students, many of whom can connect to the challenge of acclimating to a new culture.


Angie Chau discusses the creative process and overcoming writer’s block.
More on author Angie Chau's book and her visit to Stevenson

Student Publications

Stevenson students who enjoy writing and publishing can participate in the creation of the student newspaper and the school's literary magazine.


Tusitala, the Stevenson student newspaper, is published regularly throughout the school year. Students research topics, create content, edit articles, photograph events, and layout the newspaper themselves. Each issue is eagerly anticipated by the students and faculty.
Sample of recent Tusitala articles


Vailima, named after the Samoan village where Robert Louis Stevenson lived, is the annual student-produced literary magazine. Students submit stories, poems, and artwork to the selection committee throughout the year. The final publication is produced and distributed to the Stevenson community each year in the spring.
Vailima Literary Magazine

Fast Facts - English

  • The nine English faculty members together hold a total of 12 master’s degrees.
  • Of the 38 AP English Literature and Composition exams taken, over 84% received a passing grade in 2011.
  • Courses include three honors or AP courses and seven senior electives, including Short Story Writing, Heroes and Villains, and Shakespeare.
  • Research is supported by two full-time librarians and a recently renovated state-of-the art library.

What We're Reading

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Check out our Summer Reading List and Fall Reading List and to see what Stevenson students are reading and discussing.

Course Offerings

English 1

The ninth-grade English course combines careful analysis of literature with instruction in the basics of composition. The major focus is on writing imaginative essays that stem from personal experience or personal responses to literary texts. Students write weekly in class, keep journals, and learn to brainstorm, to write first drafts, and to revise final drafts. In addition to teaching reading skills and requiring varied writing assignments, the course emphasizes group discussion of literature, competence in grammar, exposure to poetry, and the enrichment of vocabulary. Among the major works that students read are The Odyssey, The Catcher in the Rye, Cannery Row, A Midsummer Night's Dream, Big Fish, Of Mice and Men, and Flowers for Algernon, along with assorted poems and short stories.

English 2

Sophomores gain experience writing descriptive, narrative, explanatory, and argumentative compositions. They use various writing modes to express themselves imaginatively, to arrange their supporting evidence in compelling order, and to argue the validity of their ideas. Instructors continue to emphasize knowledge of grammar as the technical terminology of the writing trade; vocabulary study occurs both in context, from the literature read, and in regularly assigned lessons from a vocabulary workbook. Sophomores study poetry throughout the year from Laurence Perrine's Sound and Sense. Literary texts read and discussed in this course include such works as The Canterbury Tales, Lord of the Flies, Macbeth, Oedipus Rex, Antigone, A Streetcar Named Desire, Hamlet, Frankenstein, and Introduction to the Short Story, as well as several supplementary works. Students are introduced to the format of the Preliminary Scholastic Aptitude Test (PSAT), which they take for practice in October.

English 2 Honors

Sophomores gain experience writing descriptive, narrative, explanatory, and argumentative compositions. They use various writing modes to express themselves imaginatively, to arrange their supporting evidence in compelling order, and to argue the validity of their ideas. Assignments ask students to write about themselves and about familiar experiences, to learn literary terminology, and to analyze fiction in critical essays. A formal paper is due every two weeks, and ungraded free-writing sometimes takes place in class. Instructors continue to emphasize knowledge of grammar as the technical terminology of the writing trade; vocabulary study occurs both in context, from the literature read, and in regularly assigned lessons from a vocabulary workbook. Sophomores study poetry throughout the year from Laurence Perrine's Sound and Sense. Literary texts read and discussed in this course include The Canterbury Tales, Macbeth, Oedipus Rex, Antigone, A Streetcar Named Desire, 1984, and Introduction to the Short Story, as well as several supplementary works. Students are introduced to the format of the Preliminary Scholastic Aptitude Test (PSAT), which they take for practice in October.

English 3

The junior-year English course concentrates on American literature, emphasizing authors' lives as well as literary terms and historical background. Instructors review grammar and continue to build vocabulary, with words chosen from the course reading and also from a vocabulary text. At this level students are expected to have mastered the essential skills of form and correctness in their writing. The primary text for the course is an anthology - either The American Experience or The Elements of Literature (fifth edition) - complemented by such works as The Scarlet Letter, Narrative of the Life of Frederick Douglass, Huckleberry Finn, The Great Gatsby, Death of a Salesman, One Flew Over the Cuckoo's Nest, The Bluest Eye, and The Things They Carried. Finally, students begin the college application process by organizing a resume, writing a practice personal essay, and preparing for the PSAT, SAT I, and SAT II writing samples, all of which are junior-year rites of passage.

English 3 Honors

American literature remains the emphasis, but course requirements include more sophisticated assignments in reading and writing. Students often work on independent projects and may be called on to lead discussion.

English 4

This yearlong course examines the works of writers of the modern age. The syllabus comprises a variety of literary genres - novels, plays, short fiction, poetry, and essays - and features such 20th and 21st-century authors as: William Faulkner, Ralph Ellison, Albert Camus, Franz Kafka, Gabriel Garcia Marquez, and Margaret Atwood (fiction); George Bernard Shaw and Sam Shepard (theater); William Butler Yeats, e.e. cummings, W.H. Auden, and Billy Collins (verse). Contemporary essays are drawn from The Seagull Reader. Student writing includes critical essays, argumentative pieces, and creative experiments, as well as occasional in-class writing and short reaction papers.

English 4 Electives

The following are trimester-long courses in English in 2013-2014:
- Short Story
- Literature and Film
- Heroes and Villains
- Poetry Workshop
- Science Fiction
- The New Yorker
Descriptions of our Academic Electives are available here.

AP English

AP English, the culmination of the honors program, provides an introductory college-level course for students who are ready for more advanced literary analysis. The course requires that a student take a high degree of responsibility for class participation and independent learning. Emphasis is upon the critical essay, in preparation for the Advanced Placement Examination in May, although each term features a major creative assignment as well. Last year's syllabus included The Aeneid, The Canterbury Tales, Dr. Faustus, Hamlet, Volpone, Paradise Lost, Equus, Candide, Heart of Darkness, The Flies, No Exit, Under Milk Wood, Rosencrantz and Guildenstern Are Dead, Love in the Time of Cholera, July's People, I Am One of You Forever, The Big Sleep, and a rich sampling of poetry.

Journalism: Newspaper -- does not fulfill the English requirement

This course explores the craft of journalism in a very practical, hands-on setting by producing the school newspaper. We spend as little time as possible on theory and plunge into the practical matter of conceiving and creating stories that reflect student life. Students create the entire paper; they brainstorm to assemble a story list, assign stories, plan interviews, arrange for photos and graphics, write and edit the actual articles, and design and lay out each issue for delivery to the printer. Students gain professional-level experience in reporting as well as employing the tools used to produce modern print and online journalism. We are also developing an online news site for students interested in video news production.

Journalism: Yearbook -- does not fulfill the English requirement

Spyglass, the school yearbook, is produced once a year, and documents Stevenson's many activities and sports that take place throughout the school year. Yearbook students learn to write copy and take photographs, thus taking an active role in recording the Stevenson student experience for that year. The yearbook, a full color, hardbound book, is released at the end of the school year.

Student Writing

The following poem represents just one student's voice unleashed and supported through our program. Email us for your own copy of Vailima, the student-published literary magazine.

Of Love and Calculus

By Hung-Shen Chang

I have been waiting

Waiting for the day when d relationship/d time is zero,

where our relationship is constant.

Yet, I dare not to do the second derivative test,

To check whether at the point in time,

Our relationship is at a maximum,

Or minimum.

But when I redo the math,

I found that our relationship is not differential,

With respect to time.

As there seems to be a nonremovable discontinuity

On May 29, 2010


More Student Poetry

Mortality by Will Aime

Summer by Natalie Jensen